Best Heavy Duty Pop Filters in 2026

The Stedman PS101 is a professional metal mesh pop filter designed for serious content creators, podcasters, voice-over artists, and recording engineers. If you're tired of plosive sounds ruining your recordings or constantly replacing worn-out fabric filters, this USA-made solution delivers studio-grade performance that justifies its premium positioning in the market.

What sets the PS101 apart is its patented metal screen technology, which actively redirects forceful breath instead of simply buffering it like fabric alternatives. The 13-inch flexible goose neck with adjustable clamp provides exceptional positioning flexibility, allowing you to find the perfect angle for your microphone setup. Users consistently report that they can work with less vocal technique awareness, meaning even sensitive microphones handle plosives with ease when this filter is properly positioned.

Build quality is exceptional throughout. The metal mesh grill feels substantial and resists accidental bending, while the flexi-arm maintains its shape session after session without sagging. The universal clamp fits standard microphone stands and boom arms seamlessly. At 5.8 ounces, it's slightly heavier than lightweight alternatives, but this weight contributes to stability and durability rather than being a drawback.

The main consideration is that the PS101 requires correct positioning to work at its best, though most users find this intuitive after one setup. Additionally, the initial investment is higher than budget fabric filters, but the washable design and lifetime warranty mean you'll never need to replace it, making the cost per use remarkably economical over time.

The Stedman PS101 is the choice for professionals who value reliability, performance, and long-term value. This is genuinely one of those rare products that exceeds expectations and earns its reputation as a studio standard.

Dimensions and Weight

Overall Length: 20 inches / Screen Diameter: 4.6 inches / Clamp Opening: 0.5 inches / Weight: 5.8 ounces / Shipping Weight: 9.6 ounces / Package Dimensions: 12.3 x 6.1 x 2 inches

Construction and Materials

Patented metal mesh screen / Flexible goose neck arm / Universal adjustable clamp / Made in USA / Lifetime warranty included

Compatibility

Fits all standard microphone stands and boom arms with 0.5-inch clamp opening compatibility

Ideal For

Professional podcasters, voice-over artists, audiobook narrators, content creators, recording engineers, music producers, and anyone using sensitive condenser microphones who wants to eliminate plosive sounds permanently.

Not Ideal For

Budget-conscious beginners looking for the cheapest option, or users who prefer lightweight minimal setups. If you need a disposable solution rather than a long-term investment, fabric alternatives may suit your needs better.

The Stedman Proscreen XL V2 is a professional-grade metal pop filter designed for serious content creators, recording engineers, and vocalists who require consistent, high-quality plosive control. This product targets recording studios, podcast production facilities, voiceover professionals, and streaming broadcasters who refuse to compromise on audio quality and equipment reliability.

The standout feature is the metal screen technology combined with an oversized 6.125-inch design. Unlike fabric pop filters that degrade over time, this metal construction redirects airflow downward to eliminate harsh P and B sounds while maintaining full vocal clarity and frequency response. Real-world testing by professional musicians confirms effective plosive reduction without the muddiness that often accompanies fabric alternatives.

Build quality is exceptional with USA manufacturing, premium metal components, and a powder-coated finish designed for lifetime durability. The reinforced 16.5-inch gooseneck maintains positioning without sagging during marathon recording sessions, and the universal clamp securely attaches to boom arms up to 1.5 inches wide. Setup is genuinely tool-free, requiring only seconds to mount and adjust.

The primary drawback is the premium price, which may feel steep for casual users or beginners. Additionally, some reviewers noted that gooseneck positioning still requires negotiation and adjustment, suggesting it performs similarly to cheaper models in this regard. A small percentage of users questioned whether the investment delivers proportional improvement over budget alternatives.

The Stedman Proscreen XL V2 represents a buy-it-for-life investment for professionals who value durability, consistent performance, and minimal maintenance. The metal construction, oversized screen, and reinforced gooseneck justify the premium for serious recordists, but casual users may find adequate performance at lower price points.

Physical Specifications
Metal Screen Diameter: 6.125 inches
Gooseneck Length: 16.5 inches
Item Weight: 9 ounces
Clamp Compatibility: Fits boom arms up to 1.5 inches wide (round or square)
Construction: All-metal with powder-coated finish

Product Details
Brand: StarlitGem
Manufacturer: STEDMAN CORPORATION
Model: Proscreen XL
Model Number: 5061059880048
ASIN: B0D7WB91ZN
Made in: USA

Included Components
Pop filter with metal screen
Adjustable clamp for mounting
Flexible gooseneck arm

Who Should Buy This Product
Professional recording studios, podcasters producing daily content, voiceover artists, music producers, and streaming broadcasters who prioritize audio quality and equipment longevity. This is ideal for anyone who has experienced frustration with fabric pop filters that degrade, collect dust, or provide inconsistent plosive control.

When to Consider Alternatives
Budget-conscious beginners or casual recordists who record infrequently may find adequate performance in lower-cost fabric filters. Users with very tight spatial constraints around their microphone may need to verify the 6.125-inch screen fits their setup.

Installation Tips
Mount the pop filter 2-4 inches from your microphone for optimal plosive control without proximity effect. Combine with proper microphone technique for best results. The universal clamp works with most standard boom arms, but verify your arm diameter is 1.5 inches or less before purchasing.

Maintenance
The metal screen is incredibly easy to maintain compared to fabric alternatives. Simply wipe with a dry cloth or rinse gently with water as needed. The powder-coated finish resists corrosion and requires no special care for years of reliable use.

The YOUSHARES Blue Yeti Pop Filter is a purpose-built audio accessory designed for content creators, podcasters, streamers, and ASMR enthusiasts who rely on the popular Blue Yeti microphone. This product combines professional-grade filtration with practical engineering to deliver measurable improvements in recording quality.

The standout feature is the innovative six-layer filtration system, which uses a double metal mesh exterior and two layers of high-density windproof sponge to trap saliva, dust, and moisture while neutralizing plosives from harsh consonants. Real-world testing from verified users confirms that the difference in audio quality is immediately noticeable when toggled on and off, particularly for podcasting and streaming applications. The included foam windscreen provides additional wind noise reduction, making this a comprehensive solution that addresses multiple audio challenges in one bundle.

Build quality exceeds typical expectations at this price point. The carbon steel gooseneck is engineered to withstand more than 10,000 bending cycles, ensuring long-term reliability through repeated adjustments. The 360-degree adjustability allows precise positioning between the filter and microphone capsule, accommodating different recording distances and angles. The L-style swivel clip mounts securely to both microphone stands and the Blue Yeti itself without slipping or requiring adhesive pads that degrade over time.

Minor drawbacks include the foam windscreen size, which runs slightly larger than some users anticipate, and the foam material requiring occasional maintenance to prevent shedding. Additionally, users who prefer fuzzy deadcat covers for specific audio aesthetics may find the standard pop filter less suitable for their particular needs. Despite these considerations, the product demonstrates impressive versatility, fitting multiple microphone models beyond the Blue Yeti.

For anyone using a Blue Yeti for professional or semi-professional content creation, this pop filter represents a worthwhile upgrade that delivers genuine audio improvements and professional build quality without premium pricing.

Physical Specifications

Diameter: 5.5 inches
Weight: 0.31 kg
Color: Black
Enclosure Material: Metal with foam layers
Gooseneck Type: Carbon steel with 360-degree adjustability

Filtration System

Layer Configuration: 6-layer design
Outer Layer: Double metal mesh
Core Material: 2 layers of high-density windproof sponge
Functionality: Traps saliva, dust, vapor, and eliminates plosives

Mounting and Compatibility

Clip Type: L-style adjustable swivel clip
Compatible Devices: Blue Yeti microphone, studio condenser microphones
Stand Compatibility: Standard microphone stands
Additional Compatibility: Movo UM800 and similar models

Included Components

1x Blue Yeti Pop Filter
1x Blue Yeti Foam Windscreen Cover
1x L-style Swivel Clip Mount

Intended Uses

Streaming, voice recording, video recording, podcasting, ASMR content creation

Who Should Buy This Product

This pop filter is ideal for Blue Yeti owners engaged in podcasting, streaming, voice recording, or ASMR content creation. If you've noticed harsh plosives, wind noise, or ambient sounds degrading your audio quality, this accessory delivers measurable improvements. The product is also suitable for creators using compatible studio condenser microphones seeking professional-grade filtration without expensive alternatives.

Key Considerations Before Purchase

Verify your microphone model compatibility before ordering, though the product works with Blue Yeti and several other popular studio condenser models. Consider your recording environment: the pop filter excels in controlling plosives and close-proximity wind noise, while the included foam windscreen adds additional ambient noise reduction. If you require extreme wind protection for outdoor recording, you may need supplementary solutions beyond this product.

Installation and Setup

The L-style clip mounts easily to standard microphone stands or directly to the Blue Yeti without tools. Position the pop filter 4-6 inches from the microphone capsule at a slight angle to optimize plosive reduction while maintaining natural sound character. The adjustable gooseneck allows fine-tuning after initial installation to achieve your preferred positioning.

Maintenance Tips

The foam windscreen may shed slightly during initial use, particularly if handled roughly. Gently brush the foam surface to minimize fallout. Clean the metal mesh occasionally with a soft dry cloth to maintain filtration efficiency. The carbon steel gooseneck requires no special maintenance and will maintain its adjustability through hundreds of positioning changes.

The Aokeo P10 pop filter is a professional-grade microphone accessory designed for anyone serious about recording clean, broadcast-quality audio. Whether you're a podcaster, streamer, singer, voice-over artist, or content creator, this three-layer metal mesh screen is engineered to eliminate the unwanted plosives and sibilance that plague amateur recordings.

The standout feature is the three-layer metal mesh construction combined with a 360-degree rotating gooseneck arm that offers exceptional flexibility in positioning. Users report that the filter effectively tones down harsh plosives from B, T, and P sounds while reducing the hissing that occurs with S sounds, all without muffling or coloring the natural voice tone. The dual-layer wind pop screen design proves particularly effective for blocking breath noise and environmental interference.

Build quality is genuinely impressive for the price point. The metal components feel sturdy and durable compared to fabric-style filters, while the flexible yet stable gooseneck maintains its position without drooping or shifting during recording sessions. Installation is straightforward with a universal screw-rotation mount that adapts to various microphone stands, though some users note that fit may vary slightly depending on your specific microphone model.

The main consideration is that the clamp compatibility varies across different microphone types, so you may need minor adjustments during setup. Additionally, the two included fabric membranes will eventually require replacement with extended use, though they're easy to swap out and relatively inexpensive.

Overall, the Aokeo P10 represents exceptional value for home studios and professional facilities alike. With its durable construction, effective noise reduction, and flexible positioning, it's a reliable investment for anyone looking to elevate their recording quality without breaking the budget.

Brand: Aokeo

Model: P10

Material: Metal frame with plastic components and metal mesh screens

Weight: 0.27 kg (0.6 lbs)

Color: Metallic

Gooseneck: 360-degree rotating steel tube mount

Filter Head: 360-degree rotating circular design

Mount Type: Adjustable screw-rotation right-angle mount with scratch-resistant clamp

Included Components: Two fabric screens, metal gooseneck mount, universal clamp

Warranty: 1-year manufacturer warranty

Compatibility: Universal fit for all microphone stands and boom arms

Who Should Buy This Pop Filter? The Aokeo P10 is ideal for podcasters, streamers, voice-over artists, singers, and anyone recording audio in home studios or professional facilities. If you're tired of hearing plosives and wind noise in your recordings, this filter delivers noticeable improvement at an accessible price.

Installation Tips: The universal mount works with most microphone stands, but you may need to adjust the clamp tension slightly depending on your specific microphone. Ensure the gooseneck is positioned so the filter sits 2-3 inches in front of your microphone for optimal plosive reduction without affecting proximity.

Maintenance: The metal mesh screens are reusable and can be gently cleaned with a soft brush or compressed air. The two included replacement screens provide backup options when needed. Check the gooseneck flexibility periodically to ensure it maintains its position during recording sessions.

Performance Expectations: You'll notice immediate reduction in harsh plosives and sibilance. However, a pop filter is one component of good recording technique. Proper microphone technique, room treatment, and gain staging also contribute to professional-quality audio. This filter works best when combined with good recording practices.

The PROAR Pop Filter is a professional-grade microphone accessory designed for anyone serious about improving vocal recording quality. Whether you are a podcaster, singer, voiceover artist, streamer, or content creator, this pop filter addresses the most common audio problems that plague home recordings: harsh plosives, sibilance, and unwanted breath noise.

The standout feature is the thick multi-layer sponge screen combined with a flexible 360-degree carbon steel gooseneck. This design allows you to position the filter at the exact angle and distance needed to block plosives from B and P sounds, reduce sibilance from S sounds, and eliminate breath pops, all while maintaining clear vocal tone. The gooseneck maintains its position reliably and does not sag under the filter's weight.

Build quality is solid with a metal and plastic construction featuring an adjustable screw-clamp mounting system. The scratch-proof gripper protects your microphone equipment from damage, and the clamp accommodates boom arms and stands up to 1.96 inches in diameter. Assembly is straightforward, and the compact design does not obstruct your view or recording setup.

The main limitation is the lack of verified customer reviews, making it difficult to assess long-term durability. Additionally, the mounting clamp may not fit oversized or non-standard boom arms. The multi-layer screen will need occasional cleaning to maintain peak performance and prevent dust buildup from affecting sound quality.

Overall, the PROAR Pop Filter offers excellent value for content creators seeking professional audio results without expensive studio equipment. Its universal compatibility, reliable construction, and effective plosive reduction make it a smart investment for improving your vocal recordings across podcasting, gaming, singing, and voiceover work.

Brand: PROAR

Model: Pop Filter

Color: Black

Material: Metal and Plastic

Gooseneck Type: Flexible 360-degree carbon steel

Screen Type: Multi-layer thick sponge

Mounting System: Adjustable screw-clamp with scratch-proof gripper

Clamp Capacity: Fits surfaces up to 1.96 inches

Weight: 0.24 kg

Warranty: 1 year

Best Sellers Rank: #48 in Microphone Pop Filters

Compatible Microphones: This pop filter works with most standard microphones including Blue Yeti, Blue Snowball, HyperX Quadcast, Shure microphones, Rode Podmic, and similar models.

Mounting Options: The adjustable clamp fits microphone stands, boom arms, and tripod-style bases with diameters up to 1.96 inches. The flexible gooseneck allows positioning at any angle relative to your microphone.

Ideal For: Podcasting, streaming, singing, voiceover recording, gaming commentary, music production, and any application where clear vocal audio is essential. Works equally well in home studios, professional studios, and portable recording setups.

Not Recommended For: Oversized or non-standard microphone stands exceeding 1.96 inches in diameter without an adapter.

The Penypeal microphone isolation ball is a professional-grade acoustic treatment solution designed for content creators who demand clean, interference-free recordings without breaking the budget. Whether you're recording podcasts, voice-overs, streaming content, or music vocals, this isolation ball addresses the core challenge of home studio recording: controlling room noise and microphone sensitivity.

The standout feature is the innovative 5-sided sealed foam design combined with a double-layered pop filter on the open side. This engineering approach captures sound from the front while effectively blocking plosives, sibilants, wind noise, and room reflections from multiple angles. Users report noticeably cleaner recordings with reduced background hum, ventilation noise, and echo, making it particularly valuable for podcast interviews and voice-over projects where audio clarity is non-negotiable.

Build quality is solid despite the lightweight foam construction at just 120 grams. The included universal microphone adapter accommodates most standard condenser mics and XLR microphones with jacket diameters between 50-75mm, and the fixture works reliably across different stand types including desktop stands, tripods, and cantilever arms. The foam material feels durable and maintains its acoustic properties through regular use.

One limitation is that highly specialized or vintage microphones outside the standard diameter range may not fit perfectly, and some users report needing minor adjustments when mounting on non-standard stands. Additionally, the foam requires occasional cleaning to maintain optimal performance, though this is standard maintenance for any acoustic treatment product.

For the price point, the Penypeal isolation ball delivers exceptional value, matching the acoustic performance of products costing significantly more. It's a smart investment for anyone serious about improving recording quality without investing in expensive studio construction or multiple specialized equipment pieces.

Consider this isolation ball if you record vocals, podcasts, interviews, or voice-overs in untreated rooms and struggle with background noise or plosive sounds. It's particularly valuable if your microphone sits on a desk in an open room where air conditioning, fans, or ambient noise bleeds into recordings.

Check your microphone's jacket diameter before purchasing. The Penypeal works with microphones between 50-75mm. Most standard condenser mics and popular XLR microphones fall within this range, but specialty or vintage models may not be compatible.

This product works best as part of a complete recording setup that may include a quality microphone, audio interface, and recording software. It won't replace professional acoustic treatment of your entire room, but it dramatically improves isolation around the microphone itself, which is where most home studio problems originate.

Compatibility: XLR microphones, USB condenser microphones with 50-75mm jacket diameter
Weight: 120 grams
Material: Sound-absorbing foam
Design: 5-sided sealed enclosure with double-layered pop filter opening
Included Components: Noise reduction foam ball, pop filter, universal microphone adapter, one-year warranty
Noise Reduction: 20dB audible noise reduction
Mounting: Compatible with desktop stands, tripods, cantilever arms, and floor stands
Model: PENY-PF01
Polar Pattern: Unidirectional

The Gator Frameworks Metal Pop Filter is a professional-grade recording accessory designed for content creators, podcasters, vocalists, and broadcast professionals. This pop filter addresses one of the most common audio challenges in home and studio recording: plosive sounds and breath noise that compromise vocal quality. Whether you're recording your first podcast episode or producing professional-grade content, this tool delivers noticeable improvements to your audio clarity.

The standout feature is its durable metal grille with angled slats that actively divert airflow downward rather than directly into your microphone. This engineering approach reduces plosive pops and sibilance while preserving the natural warmth and presence of your voice. The 12.4-inch flexible gooseneck allows you to position the filter precisely between your mouth and microphone, giving you control over the exact angle and distance for optimal sound control in your specific recording environment.

Build quality is solid and professional. The metal construction feels substantial without being heavy at just 4 ounces, and the combination of metal grille and plastic gooseneck provides durability for daily studio use. The universal clamp attachment securely mounts to most microphone stands and boom arms with shafts up to 18mm in diameter, making it compatible with most popular microphone stand models on the market.

One consideration is that the metal grille may accumulate dust or debris over time and benefit from occasional gentle cleaning to maintain peak acoustic performance. Additionally, the 12.4-inch gooseneck length works well for standard setups but may feel slightly limited if you have a particularly large microphone or need extended reach in your specific configuration.

Overall, the Gator Frameworks Metal Pop Filter offers excellent value for anyone serious about improving their vocal recordings. Its durable metal construction, effective plosive reduction, and flexible positioning make it a reliable choice for podcasters, streamers, singers, and broadcasters looking to achieve cleaner, more professional audio without investing in expensive studio equipment.

Brand: Gator Frameworks
Model: GFW-POPFILTER-MTL
Color: Silver
Material: Metal grille with plastic gooseneck
Gooseneck Length: 12.4 inches
Weight: 4 ounces
Dimensions: 15.5 x 5.8 x 1.95 inches
Clamp Compatibility: Microphone stands and boom shafts up to 18mm diameter
Channels: 1
Quantity: 1 unit

Who Should Buy This? This pop filter is ideal for podcasters, YouTube creators, Twitch streamers, voice-over artists, singers, and anyone recording vocal content at home or in a professional studio. If you notice plosive pops or harsh breath sounds in your recordings, this accessory will make an immediate difference.

Compatibility Check: Verify that your microphone stand or boom arm has a shaft diameter of 18mm or smaller to ensure the universal clamp will fit securely. Most standard microphone stands meet this requirement.

Setup Tips: Position the pop filter approximately 2-3 inches from your microphone for optimal plosive reduction while minimizing any potential sound coloration. The flexible gooseneck allows you to angle the filter slightly downward to further direct airflow away from your microphone capsule.

Maintenance: Keep the metal grille clean by gently wiping it with a soft, dry cloth periodically. This maintains acoustic transparency and ensures consistent performance over time.

The Neewer Professional Microphone Pop Filter is a dual-layer wind shield engineered for home and professional studio recording, podcasting, streaming, and vocal performance. It targets singers, content creators, voice actors, and anyone seeking to eliminate unwanted plosives and sibilance from their audio recordings without compromising clarity or presence.

The standout feature is the dual-layer filtration system. The first screen blocks initial air blasts and plosives, while the gap between layers disperses remaining air pressure before it reaches the second screen. This design effectively reduces harsh 'S' and 'P' sounds that plague vocal recordings. The 360-degree flexible steel gooseneck allows precise positioning and angle adjustment, letting you customize the distance and orientation between filter and microphone for optimal results.

Build quality is solid for the price point. The metal and alloy steel construction feels durable, and the adjustable clamp mount features a scratch-proof gripper that securely holds most standard microphone stands and boom arms. The swivel mount design enables quick installation and removal, making it practical for multi-microphone setups or frequent repositioning.

The main limitation is the lack of verified reviews, so real-world durability and long-term performance remain unconfirmed. Additionally, the dual-layer design may subtly reduce some high-frequency response compared to single-layer alternatives. The microphone itself is not included, requiring a separate purchase.

The Neewer pop filter delivers professional-grade plosive control at an entry-level price. It is an excellent choice for budget-conscious home studio owners, podcasters, and streamers who prioritize eliminating vocal artifacts without investing in premium gear.

Physical Dimensions: 6.3 x 1.1 x 12.01 inches, 8.3 ounces

Filter Size: 6 inches diameter

Material: Metal and alloy steel construction

Gooseneck: 360-degree flexible steel design for full positioning control

Mount Type: Adjustable screw rotating clamp with scratch-proof gripper

Compatibility: Works with standard microphone stands, boom arms, and tubular mounting solutions

Model Number: NW(B-3)

Available Since: November 15, 2012

Note: Microphone not included. Requires separate microphone and stand.

Who Should Buy This: The Neewer pop filter is ideal for home studio owners, podcasters, YouTube creators, streamers, singers, and voice actors on a budget. It is perfect for anyone recording vocal content who struggles with plosives and sibilance.

Installation: Simply attach the clamp mount to your existing microphone stand or boom arm, position the gooseneck to your preferred angle, and adjust the distance between the filter and microphone. No tools required beyond the included components.

Best Practices: Position the filter 2 to 4 inches from your microphone for optimal plosive reduction. Angle the gooseneck so air passes through the filter at a slight angle rather than straight on. Experiment with distance and angle to find your ideal balance between plosive reduction and high-frequency clarity.

Maintenance: Wipe the screen with a dry cloth periodically to remove dust and debris. The metal construction resists corrosion and requires minimal upkeep.

Budget Alternative to Premium Options: This filter offers solid performance at a fraction of the cost of premium brands, making it an excellent entry-level choice for those building their first home studio.

The 512-POP is a professional pop filter designed for content creators, podcasters, voice actors, and musicians who need clean, plosive-free audio. Built by 512 Audio, a brand known for quality recording equipment, this pop filter targets anyone recording close-range vocals or speech who wants to minimize post-production editing and maintain consistent audio quality during live streams.

The standout feature is its metal mesh design, which disperses pops and plosives from harsh consonants like 'P', 'F', and 'S' sounds more effectively than traditional nylon filters. Users benefit from cleaner recordings without the hassle of extensive audio editing, making it particularly valuable for livestreamers who cannot edit in post-production. The flexible gooseneck allows precise mic placement while maintaining a secure hold, and the adjustable swivel c-clamp works with virtually any standard microphone mounting system.

Build quality is solid, with aluminum and alloy steel construction that feels durable and professional. The gooseneck remains flexible yet sturdy enough to hold position reliably during recording sessions. At 7.36 ounces and measuring 20.16 inches in length, it's lightweight and compact enough for both studio and portable setups without adding bulk to your microphone rig.

The main consideration is that metal mesh requires occasional cleaning to maintain peak performance, unlike some nylon alternatives. Additionally, users may need to fine-tune the angle during initial setup to find the optimal position for their specific microphone and recording style. The black finish, while professional-looking, offers limited aesthetic customization options.

The 512-POP delivers genuine value for podcasters, streamers, and voice professionals seeking professional audio quality at an accessible price point. Its metal mesh technology and universal compatibility make it a smart upgrade from basic pop filters, offering real performance improvements that justify the investment for serious content creators.

This pop filter is ideal for podcasters recording in home studios or on-the-go, livestreamers who broadcast live without post-production editing capabilities, voice actors and narrators recording voiceovers or audiobooks, and singers recording vocals at close range. It's also suitable for anyone upgrading from a basic nylon pop filter who wants noticeably better plosive reduction.

The 512-POP is less critical for users who primarily record at a distance from the microphone, those using highly directional cardioid mics with built-in plosive rejection, or budget-conscious beginners just starting their first recording setup. However, at under $15, even beginners benefit from having professional-grade protection from the start.

Brand: 512 Audio
Model: 512-POP
Filter Type: Metal mesh (superior to nylon)
Mounting: Adjustable swivel c-clamp, universal compatibility
Gooseneck: Flexible and sturdy, 20.16 inches length
Materials: Aluminum, alloy steel, plastic components
Weight: 7.36 ounces
Dimensions: 20.16 x 5.51 x 0.4 inches
Color: Black
Warranty: 1 year manufacturer warranty
Best For: Close-range speech, singing, podcasts, voiceovers, livestreams